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CD Review: YES - Progeny: Seven Shows From Seventy-Two

A 14-CD live box set releasd in 2015

Back in 2005, recordings of seven consecutive 1972 concerts performed by the legendary progressive rock band Yes, were discovered by Rhino Records, but deemed “too rough to release.” However, subsequent technology has enabled these recordings to finally be cleaned up and released, creating what may be the definitive live collection of "classic" Yes music to ever be released.

Review by Christopher Bergmann * Photos courtesy of Rhino Records

Aside from a few repairs (Alan White’s snare was lost in the mix on a few recordings, snare parts from another show were put in), this set is sparkling and clear, and the versions are, for the most part, full of energy and show in the truest way, how this band really sounded live in 1972.

CD Review: Steve Howe - Anthology 1 & 2, "Solo Career Retrosective" and "Groups & Collaborations"

LOS ANGELES – In 2015, legendary Yes guitarist, Steve Howe, released the two-disc collection Anthology, A Solo Career Retrospective, a 33-track set taken from his vast archive of solo music. This was followed by the 2017 release of Anthology 2, Groups & Collaborations, a three-disc, 56-track collection covering material from the guitarist’s participation in bands, including songs from Yes, Asia, GTR, Tomorrow, and collaborations with other artists. Both collections also feature design and artwork from famed artist Roger Dean.

Review and photos by Joe Milliken

Anthology, A Solo Career Retrospective includes songs cherry-picked by Howe (and his late son, Virgil) and primarily draws from his solo work recorded between 1975 and 2011. As a solo artist, his range of styles are all over the musical map, and all are well-represented throughout this beautifully packaged collection. The tracks are pulled from several early solo albums, a 2008 compilation of re-recorded songs, two other compilation albums in which Howe participated, and two tracks from his Bob Dylan covers album, Portrait of Bob Dylan.

CD Review : Legendary Session Guitarist Steve Hunter Releases "Before The Lights Go Out"

Steve Hunter is one of those musicians - in the wide and deep pantheon of rock music - who may not necessarily be known to the masses. Yet also to many other fans and musicians alike - and some of the names you may be familiar with – Hunter, also known as ‘The Deacon,” is very well-known and highly respected as a studio musician and live performer. He has recorded and toured with such artists as Alice Cooper, Peter Gabriel, Aerosmith, Lou Reed, Mick Jagger and Robert Fripp, to name some.

Review and item photos by Joe Milliken * Portrait photo courtesy of Steve Hunter

And as I take a glance at the credits and “thank yous” within his new CD, Before the Lights Go Out, I see such “supporting contributors” as Steve Vai, Joe Perry, Sammy Hagar, Alice Cooper, Joe Satriani, Jason Becker, Bob Ezrin and Johnny Depp. Yes, Mr. Hunter is well-known within some impressive music circles.

Concert Review: Legendary King Crimson Kills It In Boston!

Forefathers of Prog Invade Orphem Theatre, 11/6/17

BOSTON, MASSACHUSETTS – Venturing into Boston on a rainy yet warm Monday night, the anticipation to see progressive rock royalty was in the air as the crowd gathered along the narrow entranceway, leading to the iconic Orpheum Theatre and a date with the legendary King Crimson. The band is currently performing throughout North America on their tour dubbed “Radical Action.”

Review by Joe Milliken * Photos: Live shots by David Singleton. Marquee shot by Joe Milliken

Led by guitarist Robert Fripp, the forward-thinking founder has never relied on a particular lineup over the 48-year history of this iconic band, and the flexibility has allowed him to pursue diversity and instrumental experimentation that no band can rival. Along with long-time members Tony Levin (bass), Mel Collins (saxophones and flutes), and Pat Mastelotto (drums), this incarnation also includes Jakko Jakszyk (guitar/lead vocals), Chris Gibson (keyboards), Gavin Harrison (drums), and Jeremy Stacey (drums/piano/vocals).

Album Review: The Cars Live at the Agora, 1978

This is the fourth installment in a series of album/CD reviews by SRO contributing writer, Donna Neale, revolving around some recent Rhino Records' releases from classic rockers The Cars

Review by Donna Neale * Album photos by Joe Milliken

I’m not going to make you wait until the end of this review to give you my opinion: this album is off the chain! Now remember, I am not an expert on discerning levels of sound quality, or at picking out nuances in the way music is mixed, but I do know how to enjoy a great show, and there is not a single track on this two-album set that disappoints.

CD Review: Hirsh Gardner's "My Brain Needs A Holiday"

Released in August, on the GB Music Label,

BOSTON - Hirsh Gardner is widely known (with good reason) as the thunderous drummer of the melodic-rocking, AOR band New England, who released three dynamic albums from 1978-1983, which included the Top 40-hit “Don’t Ever Wanna Lose Ya.” However, the scope of Gardner’s talents goes far beyond drumming. He is also a strong vocalist and song writer, a guitar player, and is also a renowned producer.

Review by Joe Milliken * Photos courtesy of Hirsh Gardner

Add solo artist to the list as well, as Gardner released his second effort in August, titled My Brain Needs A Holiday. Recorded in his Boston recording studio (as well as his home studio), the new CD features eight original tracks, penned by Gardner, as well as two carefully chosen cover tracks. The songs create a lot of different vibes, some that are similar to that of New England, and some that are not. You hear that classic, melodic rock style, but also a variety of crunching guitars, catchy hooks, instrumental loops and a couple of ballads mixed in.

Concert Review: Legendary British Rockers UFO, Still Deliver The Goods

Live at The Palladium, with Saxon, Worcester, Ma.

WORCESTER, MASSACHUSETTS – When you have waited for nearly 40 years to see one of your all-time favorite bands, the anticipation on “concert day” is sky high! However, such enthusiasm can also create the possibility of disappointment, for if you’ve been following a band for said 40 years, well, let’s just say it could create unrealistic expectation of the upcoming performance. In the words of my long time, concert-going friend, who was also seeing UFO for the first time... “Will the guys have anything left in the gas tank?”

Review and photos by Joe Milliken

Well, I am happy to report that, UFO, the legendary British rock band that has sold over 10 million albums and accumulated a very loyal following four decades strong, surely do have plenty left in the tank, thank you very much!

Album Review: Rhino Records' Expanded Edition of The Cars' "Panorama"

Expanded edition released in July, 2017

This is the third installment in a series of album/CD reviews by SRO contributing writer, Donna Neale, revolving around the re-issuing of The Cars’ classic back-catalog on Rhino Records.

Review by Donna Neale * Album photos by Joe Milliken

With two incredible albums under their belt, the 80s new wave rock band, The Cars, put out their third album in three years, and once again shook up the music world with their cutting-edge originality. Panorama continued the streak of platinum albums for The Cars, and broke the top five on Billboard’s album chart. Released on August 15, 1980, with Roy Thomas Baker back in the producer’s chair, Panorama caused quite a stir.

Album Review: Rhino Records' Expanded Edition of The Cars "Candy-O"

This is the second installment in a series of album/CD reviews by SRO contributing writer, Donna Neale, revolving around the re-issuing of The Cars’ classic back-catalog on Rhino Records.

Review by Donna Neale * Album photos by Joe Milliken

In the rare instances where a band explodes onto the rock scene with a perfect debut album, music critics don’t often hold their breath that the follow-up offering will be able to measure up. In fact, they even have a name for it: the ‘sophomore slump.’ The Cars were one of the exceptions.

CD Review: Looking Back at Rhino Records' Release of "The Cars Deluxe Edition"

This is the first in a series of album/CD reviews by new SRO contributing writer, Donna Neale, revolving around the recent and up-coming, re-issuing of The Cars’ classic back-catalog.

Review by Donna Neale, CD photos by Joe Milliken

The year 2017 is proving to be an exciting one for fans of the 80s new wave rock band, The Cars. After releasing their last studio album, Move Like This, in 2011, the group has been pretty silent in the marketplace (aside from its remaster/reissue project in 2016).

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